This is actually for both of those things. What's new and what we want to show today is both the RenderMan plugin working inside of Cinema 4D, and also we're showing some RenderMan 21 features. So Pixar is really well known for putting out top quality animation, and we've also been selling our RenderMan software, which is industry-leading rendering. I'm going to go through them kind of quickly, but we'll have time for questions at the end and we'll get to that. So RenderMan in Cinema 4D, I'm going to be showing a lot of new features here today. So we can take some questions afterwards, but Brian now is going to give you a quick demonstration of what it is you'll soon be able to do. And what we want to do today is give you a sneak peak of some really interesting technology we think you're going to find really interesting for your experience in Cinema 4D in the future. So, quietly in the background, we've been working on this. Over the past few years, we have received quite a large number of requests for Pixar's RenderMan rendering technology inside Cinema 4D. These are fields for entering MEL scripts/commands to be run at the specified times.- My name is Chris Ford, and I'd like to introduce you to Brian Savery from our development team. Note that we do not render a default light when you have RenderMan lights in the scene Turn the default lighting on or off during rendering. The aspect ratio of the individual pixels of the display device on which you are viewing the rendered image. The aspect ratio of your target display (e.g. Select the units in which the resolution is defined, either pixels per inch or per centimeter. Set the rendered resolution of your image.
Select an appropriate unit of measurement.
By disabling this parameter, any numbers may be enter for image resolution.įor custom resolutions, enter the desired resolutions here. If this box is checked, custom resolutions will maintain a locked ratio between height and width. Preferred to use the AOVs tab to specify _depth or Z.Ĭhoose a resolution for your output images based on a selection of industry standards. In other words, the newly selected camera becomes the renderable one in your scene (the default perspective camera becomes unrenderable).ĭetermines whether rendered images contain a mask channel.ĭetermines whether rendered images contain a depth channel. Select your render camera from this list. If your scene has only one renderable camera (for example, the perspective camera), whatever camera is selected in this drop-down list becomes the renderable camera. By Frame is only available if Frame/Animation Ext is set to an option containing #. The increment between the output names of rendered frames. Frame/Animation Ext must be set to an option containing # to enable these parameters, otherwise a single frame will be used. Specifies the first and last frames to render. The name of rendered image files can be composed of up to three elements: file name, frame number, and file format.ĭetermines the base name for rendered images.ĭoes not apply, the AOVs tab sets the display driver.ĭoes not apply, the AOVs tab sets the compression in the Display Driverĭoes not apply, use the Workspace Tab to set this with the tokens as explained on the documentation page.ĭoes not apply to RfM, these are set in the AOVs tabĭoes not apply to RfM, use the Workspace tab as mentioned above. However, view remapping is available in "it". RenderMan does not support the Output Transform setting. Below is an explanation of older options we do not support and many have been removed from the RenderMan Common Tab.ĭoes not apply, if this is visible, toggle your renderer selection away and back to RenderMan to refrash.ĭoes not apply, please use the Workspace Tab for naming using convenient tokens.ĭisplays the resolution (generally in pixels and inches). You will find most of this functionality has been moved to the Workspace Tab to simplify selections.
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